To say I've personally spent a cumulative 5.1 months' amount of time listening to all these particular 5.1 tracks over the years might actually be an understatement (but let's not read too deep into that concept).įeel free to agree and/or disagree accordingly in the comments section below.
However many of them you choose to sample for yourself, know that these are the kind of 5.1 mixes that will reach inside your head and burrow directly into your soul. In my opinion, these are the 16 definitive tracks that best represent the truly immersive, joyful, awe-inspiring experience surround sound is meant to deliver. Add them all up, in fact, and you'll find there are a cool 50 tracks in all to whet your surround sound whistles, if you choose to delve even further into these fine, fine artists' respective 5.1 oeuvres. 1 in 15.1, of course! The one caveat I instituted for this list was that I would limit it to just one top track per artist, with the corollary being that I'd also include a pair of "second takes" from every listed artist at the end of each summary, with the overall winner getting a double-dose of said second takes as part of the reward for being the top 5.1 dog. Ultimately, I decided to go with my top 15.1 surround sound demo tracks, which are presented here in reverse order starting at No. (I aim to please in 360 degrees, after all.) So, with the full-channel blessing of S&V EIC Al Griffin, I've gone ahead and compiled just such a list. Indeed, some of you have since reached out to me directly and/or emailed S&V inquiring about what specific song in surround sound occupies that hallowed top spot, not to mention suggesting I put together a longer list of my favorite 5.1 demo tracks while I'm at it.
I freely admit before all my fellow music lovers and audiophiles alike that I had a very specific ulterior motive when I noted in a recent Remaster Class column that the title track to Yes' September 1972 magnum opus Close to the Edge was my "second-favorite 5.1 mix." Following my primary intention of encouraging listeners to marvel at the fully enveloping scope of that song's truly amazing surround sound mix, I figured the next thing anyone reading said comment might wonder would be along the lines of, "Yeah, cool cool cool, that's great and all-but what's No.
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